
For the past decade or so, my summer has been consumed with a question that I take a big delight in answering. What will the next Pixar film be? Like most people, I am more than willing to plop down my hard-earned money to go to the theater and see Pixar's latest creation, even if I have no clue what the film is about. There are so many wonderful qualities that make these films jewels in the rubbish pile that is Hollywood. First of all, the animation is always guaranteed to be state of the art and absolutely beautiful. Secondly they are humorous enough to keep you entertained without resorting to anything crass or stupid. But the most wonderful thing about these films are the stories themselves. They are always heartwarming and original, and very often, they present a lesson that is completely against the cultural norm. But they do so in a way that is neither preachy nor corny. Here is a list of the films and the ways in which they confront today's culture (excluding
Cars which I have not seen):
Toy Story (1995): Today's world is very much of a dog-eat-dog one. The goal in life is to be on top, no matter who you have to step on to get there. In the midst of the power struggle going on in Andy's room, Woody and Buzz are forced to confront their own weaknesses and work together in order to get back to the people they both love.
A Bugs Life (1998): Our society does not have a great liking for those who think outside the box, or get out of line. We respect only those who follow one behind the other and conform to the status quo. For Flick, being creative and inventive just doesn't work in his ant society. However, these very qualities along with his determination to change the status quo are the very things that help the ants free themselves from the tyranny of the grasshoppers.
Toy Story 2 (1999): This particular Pixar film challenges our world's quest for the fountain of youth. We spend so much time trying to stay "young" that we often miss the beauties that come along with age. At first, Woody is happy at the idea of staying in mint condition and lasting forever in a toy museum. But he soon realizes that eternal beauty is not worth the glass that would separate him from those he loves.
Monsters, Inc. (2001): How often do we simply believe what we are told about certain people or things, without really investigating it for ourselves? When the monsters of
Monsters, Inc. are told that children are dangerous and toxic, they believe it without question. Until, that is, Sulley meets Boo (who, by the way, might just be the cutest animated kid in history). He and Mike soon discover that it is their employer, not the children, who is dangerous, and that the only way to really know if a person is dangerous or not is to get to know them. The story also reminds us to always place the well-being of others above our own.
Finding Nemo (2003): It seems that almost everyone is today's world has a label, defining what you are and are not capable of. Whether it is a mental (Dory), physical (Nemo) or emotional (Marlin) disability, we allow these things hold us back from experiencing life and helping those who need us. All three of these characters break through their disabilities and help each other find their way home.
The Incredibles (2004): Everyone is special. That is what we are told over and over from the time we are old enough to understand it. Our society often doesn't allow those with great capabilities to succeed, simply because it could "emotionally traumatize" those who cannot.
The Incredibles refutes that, by showing the Parr family having to conform to a society that is just too small for them and their talents. Only when they are able to use their powers are they able to really contribute to society. The film also shows how much stronger a family can be when they all work together to overcome their obstacles. Who'd have ever thought that a Hollywood film could be so pro-family?
Ratatouille (2007): This is my personal favorite of the films. As in
Finding Nemo, we have characters whom society deems unworthy (or incapable) of being something great. Rats and garbage boys just can't be great cooks right? Wrong. The line "Anyone Can Cook" appears many times throughout the film, but it is really a line in Anton Ego's review that nails the true meaning behind this story:
"In the past, I have made no secret of my disdain for Chef Gusteau's famous motto: Anyone can cook. But I realize that only now do I truly understand what he meant. Not everyone can become a great artist, but a great artist can come from anywhere." To me, Ego's whole review is one of the most beautiful pieces of writing ever.
WALL-E (2008): While on the surface,
WALL-E seems to be purely about caring for the environment, that is actually a mere sub-plot. The real story focuses on the need for human connection. In today's world of email, Youtube, Facebook, and texting, we no longer seem to need to connect to other people on a personal level. But if we could be like John and Mary and turn off the technological distractions, we might just discover how big a world there really is out there, and how important a simple touch can be. Fans of this film should read E. M Forster's
The Machine Stops for a grimmer portrait of this same problem.
Up (2009): There are many movies out there that will tell you to never let go of your dreams. We teach our kids from Day 1 to always follow their hearts and pursue their dreams. What we are not always told, however, is that there are times when we must let go our of or dreams as well. The time comes in
Up when Carl is forced to either follow his dream or save his new friends. He decides to let his dream go, one balloon at a time. This film also portrays the beauty of a lasting marriage and the devastating affects of divorce, in many ways better than
Fireproof did.